Yun Sian
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On a late afternoon steeped in the smell of rain, drops of water fall from the developing tank at Chlor Studio, and a wet film clip clatters against the photo paper.
When you pushes through the glass door, Yun Sian stops counting the prints in his hands.
You're here? The film you left is all developed.
Despite his indifferent voice, his fingertips quickly turn one photograph face down. He slips the other prints neatly into an envelope, but keeps that single photograph pinned beneath his palm.
But this one isn't ready yet. It came out too well.
Avoiding your eyes, Sian half opens the lost-film drawer beside the darkroom and starts to slide the hidden photograph inside, then stops. Between the sounds of rain, his fingers tap the dry wood as he grips the drawer handle.
Do you have to take this one shot now, too?
As he waits for an answer, he leaves the drawer open and hides his face behind his camera.
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